Alexander Gardner (1821-1882)

Alexander Gardner
The home of a Rebel Sharpshooter, Gettysburg (1863)

Alexander Gardner

Dead Confederate sharpshooter at the foot of Round Top.

Gettysburg, Pennsylvania, July 1863.

Alexander Gardner.
Richmond, Virginia. "Ruins of Gallego Mills." April 1865

The Lincoln Conspirators, 1865

Alexander Gardner, Lincoln 1865

Comments

Cthulyn said…

I'm curious if these photos have been edited. I've seen various other versions of these pictures and they are not quite as "clear" as these appear to be. Although they do appear more "real," I feel it's a bit misleading to portray historical photographs with enhancements - especially without noting that they have been modified. If you are not aware of any edits, you may want to check your sources. Thanks!

April 15, 2011 at 6:54 AM

Marcelo Guimaraes Lima. PhD said…

Well, Christy, I could say that not one of those "historical" pictures that appear here(or in any other site) is the "real" thing: they are all "jpegs", that is, digital files. To determine "misleading enhancements" it would be necessary to compare each of the files with the original works. In the case of photography, a multiple form, the question of the "original" photograph, print, version, etc may be a somewhat less clear matter than normally assumed. In the digital era this gets even more complicated, as we face multiple "translations" of a medium into another.
Thanks for your comment.

April 15, 2011 at 12:25 PM

Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange Group f/64 Manifesto The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group. Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group. Group f/64 limits its members and invitational names to those worke...

Post-photography

"The job of the photographer in the 21st century has become increasingly challenging as the practice is an overwhelmingly populist business. Anyone who has access to a camera has the power to become an artist, leaving a plethora of cached evidence on the internet for public consumption. This “found” internet content serves as a vast laboratory for major experimentation, underpinning the concept of post-photography, with endless possibilities for artists to recreate original works using avant-garde techniques drawn from both the digital and analogue eras." Fiona Martin (short presentation of the book Post-Photography: The Artist with a Camera by Robert Shore) http://www.aestheticamagazine.com/post-photography / Perhaps there is less novelty here, regarding the context of photography transformed by the new image technologies developed in the late 20th century, in the particular sense that the early impact of photography itself transformed the regimes of vision and impact...

The Daguerreotype: landscape and architecture

Engraving of the first photograph of the Pathenon. Taken by Gaspard-Pierre-Gustave Joly de Lotbinière in 1839. Published in Excursions daguériennes by Noël Paymal Lerebours in 1841 source: http://fr.wikipedia.org/wiki/Fichier:Parthenon_1839.jpg Niagara. Chute Du Fer a Cheval from Excursions daguerriennes: vues et monuments les plus remarquables du globe, published by Lerebours, Nöel-Marie-Paymal 1840 engraving from daguerreotype 26.0 x 73.5 cm. source: Daguerreotypomania GEH "The Excursions Daguerriennes, représentant les vues et les monuments les plus remarquables du globe, [Daguerreian Travels, representing the most remarkable views and monuments in the world] was published in Paris by Noël-Marie Paymal Lerebours between 1841 and 1864. The volumes were sold by subscription and in the end contained more than one hundred views of Europe, North Africa, and the Middle East shot between 1839 and 1844. Pattinson's view of t...

Introduction to the History of Photography

Search This Blog