Skip to main content

Alexander Gardner (1821-1882)




Alexander Gardner
The home of a Rebel Sharpshooter, Gettysburg
(1863)









 
Alexander Gardner
 Dead Confederate sharpshooter at the foot of Round Top. 
Gettysburg, Pennsylvania, July 1863.
 
 
 
 
Alexander Gardner.
Richmond, Virginia. "Ruins of Gallego Mills." April 1865






The Lincoln Conspirators, 1865











Alexander Gardner, Lincoln 1865



Comments

Cthulyn said…
I'm curious if these photos have been edited. I've seen various other versions of these pictures and they are not quite as "clear" as these appear to be. Although they do appear more "real," I feel it's a bit misleading to portray historical photographs with enhancements - especially without noting that they have been modified. If you are not aware of any edits, you may want to check your sources. Thanks!
Well, Christy, I could say that not one of those "historical" pictures that appear here(or in any other site) is the "real" thing: they are all "jpegs", that is, digital files. To determine "misleading enhancements" it would be necessary to compare each of the files with the original works. In the case of photography, a multiple form, the question of the "original" photograph, print, version, etc may be a somewhat less clear matter than normally assumed. In the digital era this gets even more complicated, as we face multiple "translations" of a medium into another.
Thanks for your comment.

Popular posts from this blog

Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange Group f/64 Manifesto The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group. Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group. Group f/64 limits its members and invitational names to those worke...

Post-photography

"The job of the photographer in the 21st century has become increasingly challenging as the practice is an overwhelmingly populist business. Anyone who has access to a camera has the power to become an artist, leaving a plethora of cached evidence on the internet for public consumption. This “found” internet content serves as a vast laboratory for major experimentation, underpinning the concept of post-photography, with endless possibilities for artists to recreate original works using avant-garde techniques drawn from both the digital and analogue eras." Fiona Martin (short presentation of the book Post-Photography: The Artist with a Camera by Robert Shore) http://www.aestheticamagazine.com/post-photography / Perhaps there is less novelty here, regarding the context of photography transformed by the new image technologies developed in the late 20th century, in the particular sense that the early impact of photography itself transformed the regimes of vision and impact...

John Thomson - Street Life in London, 1877

John Thomson (1837-1921) 'Street Life in London England, 1877-8 Carbon print (woodburytype) Victoria and Albert Museum The Photographs In the late 1870s Thomson embarked on his most well known project, photographing the lives the people living on the streets of London. 'Street Life in London' was published in twelve instalments throughout 1877 and the beginning of 1878. Three of Thomson's photographs appeared in each edition with three stories mainly written by the journalist Adolphe Smith, who held reformist views and worked as the official interpreter for the TUC from 1886 to 1905. With social problems gaining increased attention in the 1870s through the work of such men as Charles Dickens and the founder of homes for destitute children, Dr Barnado, these vignettes of survival among the poor proved popular with the public. The hopes and aspirations, values and needs of those portrayed were recognisable to the readers of other classes. The photogr...