Skip to main content

The Daguerreotype: landscape and architecture


Engraving of the first photograph of the Pathenon.
Taken by Gaspard-Pierre-Gustave Joly de Lotbinière in 1839.
Published in Excursions daguériennes by Noël Paymal Lerebours in 1841
 




 
Niagara. Chute Du Fer a Cheval
  from Excursions daguerriennes:
vues et monuments les plus remarquables du globe, 

published by Lerebours, Nöel-Marie-Paymal 

1840
engraving from daguerreotype
26.0 x 73.5 cm. 


source: Daguerreotypomania GEH

"The Excursions Daguerriennes, représentant les vues et les monuments les plus remarquables du globe, [Daguerreian Travels, representing the most remarkable views and monuments in the world] was published in Paris by Noël-Marie Paymal Lerebours between 1841 and 1864. The volumes were sold by subscription and in the end contained more than one hundred views of Europe, North Africa, and the Middle East shot between 1839 and 1844. Pattinson's view of the falls was the only view of North America to appear in the publication.

The only way in which a daguerreotype could be printed was by making an engraving from the plate. The daguerreotype process produced a laterally reversed image, there being no negative. The engraving is traced from the daguerreotype and then turned over to give the "correct" orientation of the subject. Extra details were often added to engravings to add more "interest."


 

 
Babbitt, Platt D.
American (-1879)

  Niagara Falls
ca. 1855
daguerreotype
13.2 x 18.3 cm., full plate 
 


Southworth & Hawes
American (active ca 1845-1861)
The Niagara Suspension Bridge
March 8, 1855
daguerreotype
21.5 X 16.5 cm., full plate
source: http://www.geh.org/taschen/htmlsrc15/m197401930180_ful.html




Southworth & Hawes
American (active ca 1845-1861)
Niagara Falls
ca. 1850
daguerreotype

21.5 X 16.5 cm., full plate


source: http://www.geh.org/fm/mismis/htmlsrc26/m197401930262A_ful.html#topofimage




Southworth & Hawes   
American (active ca 1845-1861)
Niagara River above the falls
ca. 1850
daguerreotype


source: Daguerreotypomania GEH  







Comments

Popular posts from this blog

Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange



Group f/64 Manifesto
The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group.
The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group.
Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group.
Group f/64 limits its members and invitational names to those workers who are strivin…

Paul Strand: method and vision

Portrait, Washington Square Park, 1917



Pears and Bowls, 1916



Wild Iris, Maine, 1927


Wall Street, 1915



Portrait of Georges Braque, 1957

The “full acceptance” of reality is the method and goal of the photographer, observed Paul Strand. However, full objectivity has to be something different from a passive receptivity but must emerge from an active and vigilant attitude that requires the photographer’s control of his subject. Or rather, it requires the coming together of subject and object in the intervening space of the photograph, synthesizing and perhaps transcending both, a mediating space, both familiar and unusual, made of masses and voids, light and shadows, made of the equivalence of presence and absence,  of correspondences of vision and forms in the world, of the coalescence of equivalent forms in a frame, of a spatialized time and a space of  gradually superposed temporalities.

Marcelo Guimarães Lima

links:
http://lumieregallery.net/wp/197/paul-strand/
http://www.getty.edu/art/gettygu…

Alexander Gardner (1821-1882)

Alexander Gardner
The home of a Rebel Sharpshooter, Gettysburg
(1863)









Alexander Gardner Dead Confederate sharpshooter at the foot of Round Top.  Gettysburg, Pennsylvania, July 1863. Alexander Gardner.
Richmond, Virginia. "Ruins of Gallego Mills." April 1865






The Lincoln Conspirators, 1865











Alexander Gardner, Lincoln 1865