Skip to main content

Nadar

Nadar - “Panthéon Nadar“, lithography, 1853
source: http://home.tele2.fr/thdelamotte/photo_references/nadar/img/pantheon_nadar.jpg



Nadar (Gaspard-Félix Tournachon , 1820 – 1910) - Self Portrait, 1855
source: http://en.wikipedia.org/wiki/Image:Nadar_selfportrait.jpg



"NADAR élevant la Photographie à la hauteur de l'Art"
(NADAR elevating Photography to the high level of Art).
Lithograph by Honore Daumier, Le Boulevard, 1862.
source: http://en.wikipedia.org/wiki/Image:DR3248_13.jpg



Baudelaire photographié par Nadar, 1854
source: Musée d'Orsay


Nadar - Sarah Bernhardt 1859

source: http://faculty.evansville.edu/rl29/art105/sp04/art105-8.html



Nadar - George Sand c.1864


Nadar - Rossini 1856


Nadar - one of his first aerial photos of Paris, 1858

source: http://www.geog.ucsb.edu/~jeff/115a/jack_slides/nadar1858firstaerialphotoofparis.jpg



Nadar by Nadar 1858

source: Google-LIFE


Nadar: The right to flight

source: Gallica BNF



A Nadar photo of Santos-Dumont in one of his (heavier-than-air) aeroplane designs

source: http://www.uh.edu/engines/epi1967.htm





Nadar - Sewers of Paris series 1861-62


Photo interview of Chevreul by Nadar







source: http://hdelboy.club.fr/Chevreul.html#VI._Sur_le_reportage_photographique_de


Michel EugèneChevreul, was a scientist and the author of De la loi du contraste simultané des couleurs et de l'assortiment des objets colorés. - translated into English by Charles Martel as The principles of harmony and contrast of colours (1854) a book that influenced the development of painting in France from Impressionism to Neo-impressionism.

link: http://www.metmuseum.org/toah/hd/nadr/hd_nadr.htm
Labels:

Comments

Post a Comment

Popular posts from this blog

Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange Group f/64 Manifesto The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group. Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group. Group f/64 limits its members and invitational names to those worke...
1 comment
Read more

Survey photography and the landscape in 19th century America

Carleton Watkins, The Vernal Fall, from the Yosemite Book, 1868 Carleton Watkins. Yosemite Falls and the Merced River. Yosemite National Park. View from the Sentinel Dome, Yosemite, by Carleton Watkins As Ian Jeffrey observed (1),  19th century American landscape photography recorded "virgin" nature in two complementary "modes": in the first, contemplating the novelty, and the magnitude of its subject, the photographer documents vast vistas from the distance, not simply physical distance per se  but a properly visual distance appropriated to handle the unique, novel forms of the subject. In the second, photographic vision "tames" nature and organizes the natural panorama by way of an aesthetic code akin to that of the contemporary landscape painters.  Survey photography by Weed, Watkins or by Muybridge, O' Sullivan, and others, can be seen as a kind of "second" conquest o...
Post a Comment
Read more

The Photography of Everyday Life: Paul Martin (1864-1942)

Blind beggar at the cattle market, c.1890 Paul Martin British, 1864 - 1942 Platinum print 18 x 22.8cm Dancing to the organ, Lambeth, 1893 Platinum print 10 x 7.5cm The Old Empire Platinum print 17.5 x 23.5cm Southend Beach, 1905 Yarmouth sands, 1892 Link: Victoria and Albert Museum: Exploring Photography
3 comments
Read more