Julia Margaret Cameron

Julia Margaret Cameron
My Favorite Picture of All My Works.
My Niece Julia
April 1867

http://www.masters-of-photography.com/C/cameron/cameron_niece_julia_full.html

Julia Margaret Cameron
Julia Jackson
1867

source:http://www.masters-of-photography.com/C/cameron/cameron_julia_jackson_full.html

Julia Margaret Cameron
Mrs. Herbert Duckworth
April 1867

http://www.masters-of-photography.com/C/cameron/cameron_mrs_herbert_duckworth_full.html

Julia Margaret Cameron (1815 – 1879)
J.F.W. Herschel
1867

source: http://www.masters-of-photography.com/C/cameron/cameron_herschel_full.html

Pomona 1872

The Rosebud Garden 1868

Pre-Raphaelite study 1870

Queen Esther before King Ahasuerus 1865

source: http://www.victoriaspast.com/JuiliaMCameron/juliacameron.htm

Rossetti, Beata Beatrice, 1863, Tate Gallery

Rossetti, Boca Bacciata, 1859

links: Rossetti Archives

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Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange Group f/64 Manifesto The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group. Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group. Group f/64 limits its members and invitational names to those worke...

Survey photography and the landscape in 19th century America

Carleton Watkins, The Vernal Fall, from the Yosemite Book, 1868 Carleton Watkins. Yosemite Falls and the Merced River. Yosemite National Park. View from the Sentinel Dome, Yosemite, by Carleton Watkins As Ian Jeffrey observed (1), 19th century American landscape photography recorded "virgin" nature in two complementary "modes": in the first, contemplating the novelty, and the magnitude of its subject, the photographer documents vast vistas from the distance, not simply physical distance per se but a properly visual distance appropriated to handle the unique, novel forms of the subject. In the second, photographic vision "tames" nature and organizes the natural panorama by way of an aesthetic code akin to that of the contemporary landscape painters. Survey photography by Weed, Watkins or by Muybridge, O' Sullivan, and others, can be seen as a kind of "second" conquest o...

The Photography of Everyday Life: Paul Martin (1864-1942)

Blind beggar at the cattle market, c.1890 Paul Martin British, 1864 - 1942 Platinum print 18 x 22.8cm Dancing to the organ, Lambeth, 1893 Platinum print 10 x 7.5cm The Old Empire Platinum print 17.5 x 23.5cm Southend Beach, 1905 Yarmouth sands, 1892 Link: Victoria and Albert Museum: Exploring Photography

Introduction to the History of Photography

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