Maxime Du Camp (1822–1894): oriental visions

"Porte D'Oree, Jerusalem"
1850, calotype, ca. 1850s

"Rive Oriental du Nil, Nubie"
1849-50, calotype

Nubie, Ibsamboul, Colosse Orientale du Spéos, 1850,
salt print, paper negative, ca. 1850

source: http://www.leegallery.com/ducamp.html

Abu Simbel, 1850

Salted paper print (Blanquart-Evrard Process) from paper negative

source: http://www.metmuseum.org/TOAH/hd/treg/ho_1981.1229.2.htm

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Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange Group f/64 Manifesto The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group. Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group. Group f/64 limits its members and invitational names to those worke...

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Introduction to the History of Photography

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