Photography and the Russian Avantgarde

Rodchenko

Poster for the publishing house Gosizdat,1924
(portrait of Lilya Brik shouting out the word “books”)

Portrait of Vladimir Mayakovsky, 1924
source: http://www.schicklerart.com/exh/mayakovsky/HTML/list.html

Pro eto. Ei i Mne. (About This. To Her and to Me.)
(A. Rodchenko) V. Mayakovsky,Moscow, 1923

Alexander Rodchenko
Photomontage for front and back cover of
Mayakovsky's A Conversation with a Tax-collector about Poetry, 1926.

El Lissitsky

El Lissitsky self-portrait: The Constructor, 1924

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Group f/64 Manifesto (1932)

Ansel Adams by Dorothea Lange Group f/64 Manifesto The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group. Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group. Group f/64 limits its members and invitational names to those worke...

Post-photography

"The job of the photographer in the 21st century has become increasingly challenging as the practice is an overwhelmingly populist business. Anyone who has access to a camera has the power to become an artist, leaving a plethora of cached evidence on the internet for public consumption. This “found” internet content serves as a vast laboratory for major experimentation, underpinning the concept of post-photography, with endless possibilities for artists to recreate original works using avant-garde techniques drawn from both the digital and analogue eras." Fiona Martin (short presentation of the book Post-Photography: The Artist with a Camera by Robert Shore) http://www.aestheticamagazine.com/post-photography / Perhaps there is less novelty here, regarding the context of photography transformed by the new image technologies developed in the late 20th century, in the particular sense that the early impact of photography itself transformed the regimes of vision and impact...

Hercules Florence, the isolated inventor of photography

Hercule Florence, self-portrait, c. 1875 source: http://www.mnemocine.com.br/fotografia/historia_foto.htm "Antoine Hercule Romuald Florence (1804–March 27, 1879) was a French-Brazilian painter and inventor, known as the isolate inventor of photography in Brazil, three years before Daguerre (but six years after Nicéphore Niépce), using the matrix negative/positive. According to Kossoy, who examined Florence's notes, he referred to his process, in French, as photographie in 1834, at least four years before John Herschel coined the English word photography." ( from: Hercules Florence - Wikipedia article ) "The notion of simultaneous invention - that two or more people can develop the same concept at about the same time - was mentioned by Florence and by another of photography's pioneer, William Henry Fox Talbot (1800-1877)" observes M. W. Marien : "Simultaneous invention makes it difficult to construct a linear chronology of photography." ( Marien, M...

Introduction to the History of Photography

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